05 March 2010The Creative City Network of Canada commissioned a series of reports on developing and revitalizing rural communities through arts and creativity.
16 February 2010This annual survey polled in excess of a thousand executives from major global brands, traditional and Digital agencies, vendor and service providers that operate in the Digital space, as well as freelance and independent Digital practitioners. The research has confirmed that many believe the future of Digital Marketing is exceptionally bright.
27 January 2010Outlining a radical new roadmap for cultural R&D, these proposals challenge two entrenched prejudices which block arts and cultural organisations from playing their full role in society and economy.
22 January 2010This report provides a overview of developments in the Australian telecommunications industry for 2008-09 and also covers many aspects of the broadcasting and radiocommunications industries.
03 March 2010This research identifies the key factors which will impact Australians’ future participation in the arts. It also identifies barriers and incentives which impact our participation.
12 March 2010The digital dividend is the Australian Government's opportunity to ensure that the benefits to individuals and the community outweigh the costs associated with the switchover to digital television.
12 March 2010Microsoft recently added a new layer of complexity to the ongoing debate regarding the filtering and censorship practices of U.S. search engines in Arab countries.
12 March 2010The NZ Government's review of Creative New Zealand’s governance structure aims to improve efficiency and make the best investment of resources for the benefit of New Zealand artists and arts organisations.
16 March 2010Community broadcasting engages a range of people who may be left behind in the digital economy, writes Deborah Welch in the National Times
18 January 2010In Australian Humanities Review, Meaghan Morris tackles forebodings about the impact of the online environment on everyday life, sociability and political change
13 January 2010Media and cultural policies are shaped by the few with access to political power. What role can academics play in current policy debates?
07 January 2010Recorded in Paris last year, this interview with John Baxter, author of The Australian Cinema (Pacific Books 1970), discusses 40 years of Australian film production and government assistance. First broadcast on ARTS alive, which is syndicated nationally on the CBAA satellite service and via the Aboriginal Program Exchange.
12 March 2010This report provides practical and realistic recommendations to ensure literature in Scotland is able to thrive and is supported in the most appropriate way.
18 February 2010Jock Given, a Screenrights founding director and Professor of Media and Communications at Swinburne University's Institute for Social Research, looks at the last 20 years in Australian television.
27 November 2009Citizens, artists and consumers are no longer powerless and isolated in the face of the content-providing industries: now individuals across many different spheres collaborate, participate and decide.
26 November 2009At this Lowy Institute talk held in Melbourne, Sam Roggeveen, editor of the Lowy Institute's influential political commentary site, The Interpreter, offers his perspectives on how new media is changing the world.
05 March 2010The Program is a nationwide what's on guide, providing the latest info on events, festivals, gigs, performances, theatre shows, exhibitions and loads more
08 February 2010From 25-29 January 2010 a conversation took place between 18 bloggers asking whether the terms 'Art' and 'Culture' are tough enough to frame a public policy carve-out for the 21st century?
27 January 2010The Web Accessibility Initiative (WAI) develops strategies, guidelines, and resources to help make the Web accessible to people with disabilities.
Edited by Ying Zhu, Michael Keane, and Ruoydon Bai
University of Washington Press
This collection of essays brings together the first comprehensive study of TV drama in China. Examining in depth the production, distribution, and consumption of TV drama, an international team of experts demonstrate why it remains the pre-eminent media form in China. The collection explores industry dynamics, how TV dramas are marketed and consumed on DVD, and China's aspirations to export its television drama rights.
This guide provides practical and long-term ways for artists and arts organisations to enhance their access, market their events to the disabled community and build new audiences.
Commentary
Community broadcasting means community relevance
The hole in their bucket
Grizzling about Facebook