In order to explain the concept of copyright literacy, its importance within the broader work of libraries and to make recommendations to key stakeholders, IFLA has published this statement on copyright education and copyright literacy.
This paper explores the fundamental questions facing the copyright system in the new industrial and digital era. It considers a broad range of issues including the evolving concept of authorship, originality, exhaustion issues, and the fair use or fair dealing doctrine in the new global...
This discussion paper identifies the major library policies, systems and staff activities that will be affected by changes to the copyright duration provisions of the Copyright Act 1968 (Cth), due to come into effect on 1 January 2019.
In this submission, IFLA underlines the need for flexible exceptions and thus welcomed the introduction of a fair use exception, and alternatively an extended fair dealing exception that among its purposes recognised “library and archive use”, “certain educational uses” and “text and data mining”, among...
This consultation paper sets out some specific matters in relation to which stakeholder views are sought. However submissions are welcomed on any aspect of the Exposure Draft, and more generally, on whether the Exposure Draft is fit for purpose.
From 1 January 2019, new standard terms of copyright protection will apply to original published and unpublished works, sound recordings and cinematograph films.
This article considers how copyright law applied in the analogue era to regulate the production and dissemination of geographic information, the effects of new technologies and digitisation on how law applies to geospatial data and associated products and systems, and whether either a database right...
This report was produced for Australian Screen Association (ASA) to give an initial assessment of the efficacy of the site blocking of 5 sites implemented in Australia in December 2016, using data from 1 October 2016 up to 31 March 2017.
The Department of Communications and the Arts is seeking submissions from stakeholders on the draft findings and recommendations outlined in this draft report, and any other issues relevant to the inquiry terms of reference.
Copyright safe harbours can be a useful policy tool. They help ensure that exposure to copyright liability doesn’t inhibit socially or economically useful activity, such as developing internet infrastructure.
The Online Infringement Amendment (OIA) enables a copyright owner to apply to the Federal Court to block access to an online location operated outside Australia with the primary purpose of infringing (or facilitating infringement of) copyright content. This review supports the Australian government’s commitment to...
Australian creators struggle to understand copyright law and how to manage it for their own projects. Indeed, a new study has found copyright law can act as a deterrent to creation, rather than an incentive for it.
This report finds that individuals and institutions need clear guidance on the legality of archiving legacy software to ensure continued access to digital files of all kinds and to illuminate the history of technology.
This study looks at how a sample of Australian creators understand, use and manage copyright law when they want to incorporate copyrighted material into their work. It focuses particularly on creators’ licensing practices and their employment of copyright exceptions (fair dealing).
Australia's new copyright legislation is a step in the right direction, but it doesn’t go far enough to create an environment that fosters Australian innovation, argues Kylie Pappalardo.
The liability of internet intermediaries, particularly Internet Service Providers, for the unlawful online actions of third party users is a persistent theme and problem of cyberlaw. This article identifies and analyses the limits on the new statutory jurisdiction to grant no-fault injunctions.
The results of the 2017 online copyright infringement survey show that Australians are embracing streaming services and are more willing to pay for online content.
The document emphasizes the U.S Copyright Office’s longstanding position that section 108 needs to be updated so that libraries, archives, and museums have a robust, comprehensible, and balanced safe harbor to fulfill their missions.
This consultation process is intended to draw stakeholder views on whether the Copyright Regulations Exposure Draft and the TPM Regulations Exposure Draft (Exposure Drafts) are fit for purpose, including whether they may be further simplified or modernised.