When did culture become a number? When did the books, paintings, poems, plays, songs, films, games, art installations, clothes, and all the myriad objects that fill our lives and which we consider cultural, become a matter of statistical measurement?
The innovative power of the cultural and creative sectors is essential for the further development of European economies and societies.
This submission suggests considerations for Ofcom’s review of the BBC’s representation and portrayal of the diverse communities of the UK. Purpose 4 of the Public Purposes in the BBC Charter suggests that the BBC’s output must, ‘reflect, represent and serve the diverse communities of the...
This draft code is part of a comprehensive package of measures strongly supported by LPA’s Executive Council to deal with discrimination, harassment, sexual harassment and bullying in the workplace.
Creative Nation uses official, open and web data to map the creative industries in the United Kingdom, their evolution, contribution to local economic development, the strength of their support ecosystems - including research and informal networking - and their connections with each other.
The 2018 Global Report analyses further progress achieved in implementing the UNESCO Convention on the Protection and Promotion of the Diversity of Cultural Expressions (2005) since the first such report was published in 2015. It is the work of ten independent experts, who have worked...
This submission is made to provide evidence to the inquiry into the social impact of participation in culture and sport, which seeks to investigate ways in which taking part in the arts, cultural activities and sport can have a positive impact on health, community and...
Researched and prepared in partnership with Oxford Economics and with support from the Andrew W. Mellon Foundation, this comprehensive report quantifies the economic benefit of museums, including jobs, direct spending, and supply-chain effects.
Creative Barkly is a three-year Australian Research Council Linkage project (2016-2019) that aims to investigate the arts and creative sector in the Barkly, and how it contributes to economic and social development in the region.
This sixth edition of CAMEo Cuts focusses on the emerging economy of Grime music. The music industry is a significant economic sector that ought to provide earning opportunities for a wide variety of young people who have the necessary skills, interests and talents. And yet,...
In this edition of CAMEo Cuts, Richard E. Ocejo summarises insights from his recent book Masters of Craft: Old Jobs in the New Urban Economy (Princeton University Press, 2017).
Based on an extensive ethnography of traditionally ‘blue-collar’ service trades – such as barbering, distilling,...
In the fourth issue of CAMEo Cuts, Julia Bennett explores the UK craft economy.
She begins with a reflection on the rich and diverse history of craft in London, and outlines some of the challenges now being faced by its contemporary makers and designers....
This first issue of CAMEo Cuts summarises observations from Mark Banks’ recent book ‘Creative Justice’ (2017).
The aim of the book is to consider the various sociological approaches taken to studying work and education in the cultural industries. It also suggests a new framework...
Black, Asian and Minority Ethnic artists still have low visibility in arts and culture.
For instance, the Creative Skillset 2012 Census notes that the “representation of Black, Asian and Minority Ethnic people declined from 7.4% of the total workforce in 2006 to 6.7% in...
BAME role models and leaders are important for increasing workforce diversity. Seeing BAME artists in the spotlight builds ambition in young people and motivates individuals to step into a career in the arts. Listening to BAME leaders in positions of power inspires confidence in the...
Cultural and creative sectors have become well established as important assets in strengthening Europe’s economic structure and maintaining its competitiveness in the global economy. This study maps the different value chains for visual arts, performing arts, cultural heritage, artistic crafts, book publishing, music, film, TV...
The Green Paper’s focus on the creative industries is welcome. The creative industries have the potential to deliver economic growth and desirable employment opportunity across the UK. To activate this potential, sector-wide initiatives are needed that link local and regional expertise, knowledge and talent to...