Prepared between November 2019 and March 2020, this report explores how the digital age has changed the cultural value chain and draws on existing literature and insights, as well as a range of actors from across the cultural ecosystem.

The Creative Industries are considered as one of the most promising fields of economic activity in highly developed economies, but also a promising sector to contribute to significant job creation. This report shows that the Creative Industries in Greece, Italy and Spain develop innovations as...

The termination system was designed to protect authors and their heirs against unprofitable or inequitable agreements. This report explores the right of authors to terminate a copyright license or grant and regain rights in their works—even if their contracts contain language to the contrary.

This report looks at ways developed and developing country governments can support efforts to strengthen the creative economies in Asia, using Taiwan and Indonesia as case studies.

This project was part of the South Australian Department for Correctional Services’ (DCS) exploration of policy options for transforming its current prisoner art activities and a selection of existing prison industry activity into a comprehensive creative industries program for prisoners.

This briefing paper examines agile policy development approaches that can help countries in the ASEAN region and beyond unleash the full potential of the Fourth Industrial Revolution for their creative economies.

The document sets out the framework which will guide the activity of Saudi Arabia’s first Ministry of Culture. It identifies how the Ministry of Culture defines culture and the sectors.

Artistic practices are subjected to numerous situational factors that simultaneously hinder and/or enable future artistic activity: public funding is positioned in this research as one such situational factor. This article explores the immediate impacts public funding has on the artistically creative processes of the funded...

This report looks at ways in which the policy relationship between these often polarised sectors of arts and creative industries might be re-thought and approached more productively.

This is a first step towards an improvement in the overall quality and comparability of key data collected by Australia's cultural heritage sector, which encompasses museums, libraries, art museums and archives.