This inquiry report outlines the current state and operation of the Australian television and music industry, including competition issues relating to the relative market power of producers and broadcasters for traditional, streaming and 'catch- up' viewing.
Australian Screen Production Education and Research Association is working towards better recognition of the myriad practices occurring in teaching and research by screen production academics nationally and aims to work more closely with policy makers to better support screen production inputs and outputs in the...
The Territory Government has released this screen industry development plan, presenting a vision and plan to create more jobs and increase the sustainability and success of local screen businesses. Developed in consultation with the NT screen industry, the three-year plan provides a framework to support...
The Film Industry Working Group was set up at the beginning of this year with representation from across the screen industry, Business New Zealand and the Council of Trade Unions. This report provides recommendations on restoring collective bargaining rights to film production workers.
2016 marks the 30th anniversary of Richard Lowenstein’s acclaimed Dogs in Space , a fictionalized cinematic memoir of nominal bohemians in the Melbourne suburb of Richmond. Set 6-8 years before the film’s release, Lowenstein utilised genuine participants in the events/milieu depicted, as well as key...
Industry assistance schemes are seen sceptically in New Zealand policy circles but the NZIER modelling shows that the New Zealand Screen Production Grant, as the price of admission to international screen productions, positively influences the wider economy.
The Drama Report covers the production of feature films, TV drama (mini-series, telemovies and series/serials) and online drama programs in Australia by financial year.
Both the superhero and the supervillain operate outside the law. This paper considers what the prefix “super” really means in relation to these two classes, drawing on Nietzsche’s original definition of the ubermensch (superman) and its relationship to legal concepts such as the state of...
ECCV is the peak policy advocacy organisation for ethnic and multicultural groups in Victoria and consults with communities when their voices are not heard in the policy process.
In October 2016 ECCV consulted with culturally diverse actors, writers, directors and stage professionals in partnership...
The Drama Report 2015/16 covers the production of feature films and TV drama programs (mini-series, telemovies and series/serials) by financial year.
It reports on the operation of the Producer Offset tax rebate for domestic Australian projects and official co-productions, incorporating data gathered through surveys...
How did Australia’s love affair with Netflix begin? This book extract traces the geoblocking debate and its political fallout
OVER THE past decade Australia has become an unlikely hotspot of digital disobedience. Frustrated by the high cost and slow delivery of first-release TV...
This study is concerned with representation. It considers the nature of a culturally located, discursive form called veitalatala and its creative translation into designed artifacts that consider the lyrical and graceful nature of Tongan women’s tālanoa.
The designed outcomes of the project consider the...
New Zealand screen industry revenue was $3.155 billion, up $7 million from 2013.
Key factsNew Zealand screen industry revenue was $3.155 billion, up $7 million from 2013. 91 percent of businesses in the screen industry are small businesses, earning less than...
The Department of Immigration and Border Protection and the Ministry for the Arts are undertaking a review of the Temporary Work (Entertainment) visa (Subclass 420). The review is in support of the Australian Government's commitment to reducing the burden and cost of unnecessary or inefficient...
A conversation with award-winning Indigenous screenwriter Steven McGregor
It’s a windy mid-week morning. The trains roll in and out of Redfern Station and a stream of commuters pours up the concrete steps. Coffees are bought, phone calls made and received. Students – all...
Australian screen industry undersells its achievements as a tourism, trade and diplomacy tool globally, and also has big business at home. CEO of Screen Australia, Graeme Mason, says that the successes of the Australian screen industry raises the profile of Australia on the world stage...
Summary: Provides links to Australian Government organisations responsible for the arts and culture, state and territory government websites, regional arts websites, non-government organisations websites and international organisations.
It also provides links to a range of organisations by art form:
• ballet and...
This article takes a closer look at people working in the screen industry, and their jobs. It builds on an experimental series published in 2012 that uses Linked Employer-Employee Data (LEED) to supplement the Screen Industry Survey.
The Screen Industry Survey is an annual...