This study focused on prehistoric pottery production patterns in the Lapita and plainware periods from the islands of 'Upolu and Manono, Samoa. Incorporating a holistic approach to excavated pottery assemblages, stylistic, temper and clay analysis was undertaken to identify whether initial production technology matched a larger regional signature and to test how production strategies changed...

This thesis examines how indigenous Papua New Guinean notions of identity and belonging are embodied in popular music production. I hypothesise that popular music production provides a space in which notions of identity and belonging are mediated, negotiated and reconfigured. To explore this hypothesis, this thesis examines the production of local popular music (referred to...

This thesis presents the results of a skill analysis augmented by a decorative analysis and temper analysis, conducted upon Lapita pottery from the Early period site of Tamuarawai (EQS), Emirau Island, Papua New Guinea. Lapita pottery is an essential component of the Lapita Cultural Complex and an important source of information through which the lives...

This thesis presents the results of an ethnographic inquiry into haku mele (Hawaiian language composition) and modern Hawaiian vocal performance practice. It hypothesises that there are elements and characteristics in Hawaiian language compositions and vocal performance that are valued above others by composers, performers and audiences today, and that certain individuals are viewed as authorities...

Throughout the nineteenth century probably the majority of Pakeha held the view that the East Polynesian ancestors of the Maori were the first people to settle in New Zealand. Over the same period there were always considerable numbers of Pakeha who held the alternative view that an earlier people were already living in New Zealand...